Luxury Fukubukuro (Lucky Bag) Advertisement Key Visual Prompt

A highly detailed prompt for Nano Banana Pro to generate a photorealistic advertisement key visual for a custom 'Fukubukuro' (lucky bag) featuring an original character. The prompt mandates a high-end department store ad quality, focusing on composition w

예시 프롬프트
Character Name: {argument name="Character Name" default="[Your Character Name]"} ## Key Visual Generation Prompt for Advertising/Posters/Promotional Materials (Lucky Bag Edition) ### 0. Primary Goal of This Prompt (Highest Priority) This prompt is intended to generate **"photorealistic images of lucky bags" and key visuals for advertisements, posters, and promotional materials for department stores, specialty shops, and limited sales.** The generated image must satisfy the following priorities: * A level of completion that is instantly recognizable as an "advertisement." * The lucky bag must function as the "main product," while the surrounding contents, world view, and character elements intensely boost anticipation and narrative. ### 1. Overall Premise of the Visual (Advertising Declaration | Boost Design) This key visual is based on an advertising design where the direction of expression varies greatly, starting from the characteristics of the reference image. Do not aim for a stable solution; instead, extract the strongest element among luxury, excitement, strangeness, humor, chaos, or specialness, and elevate it into a **high-quality, high-sense, and "genius expression that makes you want it even though all the contents are visible."** It is an absolute condition that it functions as an "advertisement valid at a department store's first sale." This boost result is consistently reflected in the composition, placement of contents, product name display, and copy. ### 2. Scene/Moment (The Moment Cut Out for Advertising) Automatically select the moment that has the highest appeal as an advertisement and instantly conveys "what kind of experience the lucky bag contains." * The lucky bag may be opened. * It may be half-open with contents spilling out. * The contents may be beautifully arranged around the lucky bag. **In this prompt, the composition with "the lucky bag at the center, with contents spread around it" is prioritized.** Cut out a state where, upon first glance, "What's inside?" "But it's not ordinary." "I want this." all arise simultaneously. ### 3. Composition/Shooting Style (Advertising Layout Premise) * Place the lucky bag in the center to slightly foreground of the screen. * Frontal to slightly overhead angle suitable for advertising. * Arrange the contents around the lucky bag in a circular, radial, or floating manner. * Place product name text near or overlapping each item. * Ensure intentional negative space for placing copy and year. **Technical Requirements:** * 8K resolution * Ultra-realistic product photo * Department store advertisement quality ### 4. Lucky Bag Package Design The lucky bag is designed as the "outer shell" that most purely reflects the characteristics of the reference image. * Basically, a shape that is valid as a department store, long-established shop, or brand lucky bag. * Material (paper, cloth, Japanese paper, vinyl, luxury textile, etc.) is free. * Change freely between luxury/pop/strange/festive/foreign object feeling, depending on the impression of the reference image. ### 5. Contents (Product Persuasiveness) The contents of the lucky bag are not fixed by genre and are reconstructed based on the reference image and concept. * Products that seem real. * Products that are impossible. * Characterized products. * Products with strange sizes. may be mixed. The important thing is to establish the feeling that **"I can see everything, but it's mysterious and I want it."** ### 6. Character Expression (Inhabitants of the Lucky Bag World) The character exists naturally within the contents of the lucky bag or the surrounding world. * May be composed of products. * May be jumping out of the lucky bag. * May be in a pose introducing the contents. Exclude any artificial feeling, Treat them as "beings who originally live in this lucky bag world." ### 7. Color Scheme The color rules are not fixed; the optimal solution is automatically selected based on the reference image and concept. * Express value not through color, but through texture, density, gloss, and information volume. * The lucky bag, products, characters, and background should not clash, yet be excessively lively. ### 8. Advertising Copy/Product Name Display (Most Important) Copy and product names naturally arise as a result of verbalizing the reference image and concept. * Directly display "Product Name Text" next to each item placed around the lucky bag. * Product names allow for naming that is high-sense/intensely humorous/barely nonsensical. * Year * Lucky Bag Title * Words like Limited/First Sale/Carefully Crafted * Price notation Are placed in the most beautiful and most insane arrangement for an advertisement. Treat text as a **visual element, not information.** ### 9. Variation Display (For Advertising) * Display lucky bag variations like Pine/Bamboo/Plum * Normal/Deluxe/Insane In a wipe-style display. * Small frame * Lucky Bag Name + Price * Size that does not obstruct the main subject --- ### 10. Background/Light * Bright, hopeful light of the first sale. * Changes to gorgeous/pop/strange/serene, depending on the reference image. * Maximize the texture of materials, logos, and the edges of text. --- ### 11. Final Tone (Output Guideline) **Looks genuinely for sale, all contents are visible, yet clearly not ordinary.** Character x Lucky Bag x Advertising Key Visual Completed form.
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