Indicación de ejemplo
Character Name: {argument name="Character Name" default="[Your Character Name]"} ## Key Visual Generation Prompt for Advertising/Posters/Promotional Materials (Lucky Bag Edition)
### 0. Primary Goal of This Prompt (Highest Priority)
This prompt is intended to generate **"photorealistic images of lucky bags" and key visuals for advertisements, posters, and promotional materials for department stores, specialty shops, and limited sales.**
The generated image must satisfy the following priorities:
* A level of completion that is instantly recognizable as an "advertisement."
* The lucky bag must function as the "main product," while the surrounding contents, world view, and character elements intensely boost anticipation and narrative.
### 1. Overall Premise of the Visual (Advertising Declaration | Boost Design)
This key visual is based on an advertising design where the direction of expression varies greatly, starting from the characteristics of the reference image. Do not aim for a stable solution; instead, extract the strongest element among luxury, excitement, strangeness, humor, chaos, or specialness, and elevate it into a **high-quality, high-sense, and "genius expression that makes you want it even though all the contents are visible."** It is an absolute condition that it functions as an "advertisement valid at a department store's first sale." This boost result is consistently reflected in the composition, placement of contents, product name display, and copy.
### 2. Scene/Moment (The Moment Cut Out for Advertising)
Automatically select the moment that has the highest appeal as an advertisement and instantly conveys "what kind of experience the lucky bag contains."
* The lucky bag may be opened.
* It may be half-open with contents spilling out.
* The contents may be beautifully arranged around the lucky bag.
**In this prompt, the composition with "the lucky bag at the center, with contents spread around it" is prioritized.**
Cut out a state where, upon first glance,
"What's inside?"
"But it's not ordinary."
"I want this."
all arise simultaneously. ### 3. Composition/Shooting Style (Advertising Layout Premise) * Place the lucky bag in the center to slightly foreground of the screen.
* Frontal to slightly overhead angle suitable for advertising.
* Arrange the contents around the lucky bag in a circular, radial, or floating manner.
* Place product name text near or overlapping each item. * Ensure intentional negative space for placing copy and year.
**Technical Requirements:**
* 8K resolution
* Ultra-realistic product photo
* Department store advertisement quality
### 4. Lucky Bag Package Design
The lucky bag is designed as the "outer shell" that most purely reflects the characteristics of the reference image.
* Basically, a shape that is valid as a department store, long-established shop, or brand lucky bag.
* Material (paper, cloth, Japanese paper, vinyl, luxury textile, etc.) is free.
* Change freely between luxury/pop/strange/festive/foreign object feeling, depending on the impression of the reference image. ### 5. Contents (Product Persuasiveness)
The contents of the lucky bag are not fixed by genre and are reconstructed based on the reference image and concept.
* Products that seem real.
* Products that are impossible.
* Characterized products.
* Products with strange sizes.
may be mixed.
The important thing is to establish the feeling that **"I can see everything, but it's mysterious and I want it."** ### 6. Character Expression (Inhabitants of the Lucky Bag World)
The character exists naturally within the contents of the lucky bag or the surrounding world.
* May be composed of products.
* May be jumping out of the lucky bag.
* May be in a pose introducing the contents. Exclude any artificial feeling, Treat them as "beings who originally live in this lucky bag world."
### 7. Color Scheme
The color rules are not fixed; the optimal solution is automatically selected based on the reference image and concept.
* Express value not through color, but through texture, density, gloss, and information volume.
* The lucky bag, products, characters, and background should not clash, yet be excessively lively.
### 8. Advertising Copy/Product Name Display (Most Important)
Copy and product names naturally arise as a result of verbalizing the reference image and concept. * Directly display "Product Name Text" next to each item placed around the lucky bag.
* Product names allow for naming that is high-sense/intensely humorous/barely nonsensical.
* Year
* Lucky Bag Title
* Words like Limited/First Sale/Carefully Crafted
* Price notation
Are placed in the most beautiful and most insane arrangement for an advertisement.
Treat text as a **visual element, not information.**
### 9. Variation Display (For Advertising)
* Display lucky bag variations like Pine/Bamboo/Plum
* Normal/Deluxe/Insane
In a wipe-style display.
* Small frame
* Lucky Bag Name + Price
* Size that does not obstruct the main subject
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### 10. Background/Light
* Bright, hopeful light of the first sale.
* Changes to gorgeous/pop/strange/serene, depending on the reference image.
* Maximize the texture of materials, logos, and the edges of text.
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### 11. Final Tone (Output Guideline)
**Looks genuinely for sale,
all contents are visible,
yet clearly not ordinary.**
Character x Lucky Bag x Advertising Key Visual
Completed form.
